It’s time to put on your finest headband and most triumphant smile, because Midge Maisel is back. While season 1 was securely centered around 1950s Manhattan, season 2 immediately announces it’s far more worldly than that — and I don’t just mean we’re going to Brooklyn. Minutes into premiere “Simone,” the Marvelous Mrs. Maisel has to hightail it away from her growing stand-up career and new punishment gig in the B. Altman switchboard room in favor of fair Paris.
While most people fly to the City Of Lights for love, Midge is instead on the way to France to bring back someone who has supposedly fallen out of love: her mother Rose Weissman (Marin Hinkle). This is where we need a short recap of a major, but easily forgettable, season 1 plotline. Towards the end of last year’s run, Rose, who was visiting her psychic nearly daily hoping for news of an imminent reconciliation between Midge and cheating husband Joel, learns she has been lied to. Joel tried to win back Midge, and she turned him down. Midge’s dad, and Rose’s husband, Abe Weissman (Tony Shalhoub) knew this event occurred and didn’t tell Rose until about a month later. The two people closest to the Weissman matriarch lied to her for weeks on end. So, Rose decided to flee to Paris, where she lived just before meeting Abe.
Oct 10, 2017 From the Creator of Gilmore Girls, 'The Marvelous Mrs. Maisel' tells the story of Miriam “Midge” Maisel a woman who has everything she’s ever wanted—the perfect husband, two kids, and an. The Marvelous Mrs. Maisel's Season 2 Cast: Rachel Brosnahan, Tony Shalhoub, and More Return It's about time we got to see more of Midge and the crew. By Chloe Foussianes.
It was the last place the former free spirit was happy. An extremely frazzled Abe and extremely hat-obsessed Midge, who knows no French much to her father’s dismay, find Rose has successfully revived her pre-family life as a wine-swigging Parisian expat. She is flourishing in an artist’s commune. She shares a bathroom. She has a dog. When Abe complains about a cockroach in the flat, Rose asks if he needs her to kill it for him.
Rose’s abrupt exist leaves Midge free to reveal things aren’t as cut-and-dry as her mom may believe in the Maisel marriage. As usual, Midge stumbles into a club, takes a microphone, and manages to enrapture the audience with a disturbingly sad tale, all without anyone from management trying to tell her to get the hell off the stage. This time, she even pulls off the feat while “performing” in a foreign, non-English-speaking country. One day Maisel may deal with its use of pretty, thin, white, and class privilege, but this is not the day. Instead, we get a truly emotional flashback to explain why Midge and Joel are no longer together after he saw her (true Maisel bae Luke Kirby)-aided show at the Gaslight during the season 1 finale.
Joel was heartbroken after the performance, and Midge tracks him down to a brownstone stoop that probably belongs to his parents. Devastated, Joel finally hands over his wedding ring, and Midge walks away. We’re left believing Joel simply can’t handle his wife’s success.
In the present, an entire Parisian drag bar is sobbing over the romantic tragedy. Oh, yes, this is also when Midge learns drag is a thing that exists.
In an important step in Maisel’s Joel Rehabilitation Program — two years strong — we learn at the close of the episode Joel, who is now living in his childhood bedroom, didn’t officially end things because he was jealous of Midge’s talent. Rather, Joel is in awe of his wife’s talent and knows he isn’t emotionally prepared to be the butt of her very good jokes for the rest of their lives. “I just can’t be a joke,” a painfully honest Joel says over the phone. Since he doesn’t want Midge to quit, Joel is instead going to try to quit her. And, back in New York, the threats are far more physical than in Paris.
Susie is abducted by a pair of lackeys for Harry Drake, the comedy super force Midge upset last season by outing comedy cash cow Sophie Lennon (Jane Lynch) as a fraud. But, Susie ends up winning her captors over with her neighborhood girl charms, as she claims to be from the Rockaways, just like the criminals. It is unclear if that fact is true, but it is certainly convincing. The men let Susie go with a warning the next guys Harry sends may not be so forgiving. At least there is one positive in Susie’s life: Midge’s comedy profile is rising.
Now if only everyone would stop asking if Mrs. Maisel is sleeping with Lenny Bruce. There’s something simply heartwarming about watching Abe and Rose fall back in love while exploring the city Mrs. Weissman is so deeply enamored with.
And, it’s even better to see Abe actually appreciate this kind of passion in his wife. After decades of watching family patriarchs roll their eyes at their wives on sitcoms, it’s easy to expect an older man like Abe will resent this new, laissez faire Rose and her interests. The academic clearly did start out with that attitude upon arriving in Paris. Yet, the moment “Mid-Town” begins, Abe is all in. He has created his own Parisian habits, like debating philosophy with locals, while also cultivating his relationship with Rose. The couple enjoys cute market dates and visits Rose’s favorite museum and lunches at delightful cafes.
Abe happily pays for the whole thing. At the exact moment you expect he’s going to complain this entire fanciful endeavor is simply too expensive, he buys a candy-colored pastry or takes his wife dancing by that bridge over the Seine that broke Midge’s spirit last episode. C’est magnifique.
“And if I don’t go back, what do I lose?” Rose asks. It’s a painful question that Abe doesn’t exactly have the answer to. Still, Rose — or, “Rosie,” as Abe calls his wife for the first time in Maisel — agrees to pack up her life in Paris. Rose’s goodbye to the Rodin Museum is some of Maisel’s finest directing, as is her through-the-window farewell to Simone the dog. At minimum, we know Abe has grown as a person since art commune landlady Marie is devastated to see Abe, the man she screamed at in angry French only an episode earlier, leave. He has no idea what she’s saying, but it’s still nice.
Imogene has a lot to be upset about. Joel really messed up Imogene’s husband Archie’s (Joel Johnstone) career by quitting in the middle of the men’s shared presentation. Imogene, who hasn’t heard from Midge in weeks, had no idea her supposed BFF went to Paris. And now she has no clue who the stoned woman in Midge’s bath tub is.
Midge tries to assuage Imogene’s concerns by promising to go to exercise class with her the next day, but it’s difficult to believe the secret comic will actually show up. At least Midge has her first midtown-ish gig to look forward to following a publicity-upping interview between Susie and The Village Voice. As usual, it does not go to plan. Midge is originally scheduled to go third until she is bumped to fourth after one of the comedy club’s regulars asks to perform earlier. At first Susie thinks the move is a good thing until she realizes it’s a portent of comedy doom. Midge is repeatedly pushed back for different male comedians until she finally goes on so late, she is covered in mustard and the guy in charge of the lights has left.
It’s literally a bad look. But, Midge makes the best of it.
As Susie (wo)mans the spotlight, Midge absolutely eviscerates all of the poorly dressed male comedians who were actively hoping to see her fail. Their sexual prowess (or lack thereof), boring voices, and “tiny baby hands” are all up for criticism. The few people who stayed to watch Midge’s seat are practically rolling in the aisles from laughter — especially the women in the audience who find Midge inspiring. The comedy club’s booker is less enthused about a “girl comic” dragging his regular guys, yet he still hints he would hire Midge again. That’s a win in the Maisel book. Speaking of wins, this is the closest Joel has ever come to being successful.
He has taken over his dad Moishe Maisel’s (Kevin Pollak) failing clothing manufacturing business and is starting to make major, important changes while trying to unravel the company’s baffling books. Mishe reminds his son he doesn’t know everything about the business, like how certain firings could torpedo this delicate ecosystem, but all together, Joel is doing a great job. So great, he even offers to buy Midge a fantastic apartment, which she doesn’t exactly want. The naked man in question arrives in the first act of “The Punishment Room,” as a model in one of Rose’s art history courses. See, Abe wasn’t lying when he said he would help his wife audit some Columbia classes.
While Rose is happy to be continuing her education, she is flabbergasted and slightly terrified of seeing a stranger’s member in the middle of her classroom. Abe actually collapses at the sight. Later, during a meeting about Columbia’s less-than-feminist academic practices, Rose recommends using a fig leaf to cover up any future “schlongs,” as Abe would say. One of Midge Maisel’s worst personality traits is believing people want to hear from her all the time, no matter what. This terrible tendency is on display throughout “Punishment.” First, it appears when Midge, finally released from her own punishment room of the switch board basement, wraps her coat girl shift. She walks up to multiple customers, plucks products out of their hands, and puts her preferred item for them in its place.
Absolutely no one reacts like this kind of behavior is surprising or a jarring violation of personal space. Even in a department store as nice as B. Altman’s, that is impossible. Midge’s “All about me” habit rears its irritating head even more intensely during the wedding preparation and festivities for her co-worker Mary (Erin Darke).
At first, Midge’s insistent streak is a godsend for the religious Mary, who was initially going to celebrate her upcoming nuptials in her church’s “punishment room.” This is a room where young girls are left in corners to sob. Midge talks her way into getting Mary the church’s beautiful Window Room for an early evening wedding reception. Unfortunately, Midge takes everything too far at the actual soiree. She begins doing a mini stand-up set despite no one asking her to perform.
It’s so cringeworthy, I had to skip the entire ill-advised speech, which ends with Mary sobbing in a church pew. That dark scene is how I found out Midge jokingly questioned in front of everyone whether Mary’s marriage to her new husband Bill is a shotgun wedding. Midge quickly finds out her joke wasn’t a joke at all.
This is a shotgun wedding. “Why the hell to you think I’m getting married three months after meeting him?” Mary rages. Finally, Midge may have learned every occasion doesn’t require a full performance. Midge is so lucky, she finds $2,135 stashed in her family’s coat closet; the cash was left there by Moishe and Shirley (Caroline Aaron). Shirley’s wacky accounting and money management practices have become one of Maisel season 2’s most fun quirks. This discovery finally brings Midge and Joel into a plot line together since Joel spends most of “Punishment” trying to stop the bleeding of his parents’ finances.
That means getting them a loan from an actual bank and locating the many bags of money Shirley has hidden around her favorite spots, the Weissman home included. Towards the end of the episode, Midge brings Joel the bag of hidden money, and you can still feel the chemistry between the estranged couple. I want these two crazy kids to work it all out. While a reconciliation doesn’t seem imminent, Midge at least helps Joel find a new apartment hiding under his nose.
Shirley hid another money bag in a never before seen loft-like space in the clothing factory, which Midge tracks down from one of her mother-in-law’s cash maps. The room is huge. Joel, you adult man with two children, you are finally moving out of your childhood bedroom. Like all good AS-P flights of fancy, the world of Steiner Mountain Resort is extremely specific. The resort serves unlimited tomato juice, which Abe is obsessed with. It hosts multiple yearly beauty pageants, which Midge always wins.
It has a multi-part welcome song, complete with a note-holding challenge every single Steiner veteran knows about. This is where Abe has the chance to wear his signature, skin-tight callisthenics romper. You will be left wondering when Abe first bought the romper and whether he has had to replace said romper over the years. As one would assume about a summer camp filled with annual regulars, the Steiner residents are a gossipy group.
This makes Midge and Joel’s post-affair split a leading topic of conversation. One awful woman, Alya Feinberg (Ariana Venturi), tells Midge she and her husband are taking Joel’s side. The manager of the resort, Pauly (Saul Rubinek) informs Midge that due to her status as a not-quite-married woman, she can no longer compete in the Mrs. Steiner pageant (having technical husband Joel accompany her, as is tradition, “might cast a pall”). Midge is also barred from the teen and ingenue races due to her age and past marriage. Instead, she must be Sash Girl. The entire Steiner situation becomes so fraught that Joel is forced to jump on stage and confront the issue head-on in front all of his fellow guests.
He demands everyone stop staring at him and his wife and shames Pauly for kicking Midge out of the pageant. Joel even reveals Midge donated her swimsuit competition winnings to an orphanage in the Bronx during her eight-year winning streak. “This year, thanks to you, some orphans are going hungry,” he spits at Pauly.
It is the most powerful and competent Joel has ever looked. Midge and Benjamin don’t exactly meet cute. Rather, Midge listens to her mother talk about Ben’s potential for days until she finally tracks the doctor down and demands they do something public together. Midge isn’t interested — she just just wants Rose off of her back. Midge and Ben go boating, and Benjamin immediately proves to be a walking archetype of the lovable, sardonic rich asshole.
He gets on a rowboat with Midge but refuses to row and reads her the most depressing news possible when she’s trying to pretend to laugh. If Benjamin didn’t look like Zachary Levin in perfectly cut vintage slacks, we would all hate him. “Concord’s” cliffhanger of an ending packs even more of a punch than one would expect since most of the episode is a light and airy confection without a single whiff of doom. In fact, it has one of the funniest openings in all of Maisel, with Joel’s parents descending upon the idyllic quiet that is Steiner. Before we even see Moishe and Shirl, we hear them. Moishe honks the car horn the entire way up the winding Steiner’s driveway. Then when they emerge from the vehicle, it is a sight to behold.
The Maisel car is filled with loose items, and Shirl refuses to remove her humongous fur coat, even in the Catskill summer heat (“She’s got our silverware sewn into the lining,” Moishe announces to whomever is listening). Since Midge needs to get to NYC and Benjamin is her sole option for a ride, they end up stuck in a very sexy hot rod together for about three hours, at least according to Google Maps’ calculation. At first, the forced hang out session is as boring and awkward as you would expect. Then, with Midge being Midge, she starts to do a bit and gives jokey radio announcements. This is charming until you realize Midge definitely rattled off the fake reports for the entire trip. That’s 180 minutes of made up news.
That’s too much comedy news. After Midge’s good date, Susie calls her in a rage, rightly irritated her client left Steiner without telling her. Even though Susie is peeved, she informs Midge she got her a great booking back in the Catskills. Enter Midge’s brother Noah (Will Brill), who is usually forgotten by Mrs. Maisel and Mrs.
Noah drives Midge to the gig, not knowing he’s driving his sister to a gig. He is also probably too distracted by the horrible paste his wife Astrid ( Succession’s Justine Lupe) is using as a fertility treatment to care where Midge is going or why. Midge arrives on time for her set at the Concord, a walkable distance from Steiner, where she will be performing for her biggest crowd to date.
At the same time, Abe decides he can’t go to Polynesian night at the resort because Moishe is simply Too Much. “I can’t listen to his litany of ‘lei’ed’ jokes.” Abe complains. Rose sets off for Polynesian night alone to contend with Moishe’s racy dad jokes and Shirley’s refusal to remove her silverware laden fur coat.
The last we see of Abe at Steiner, he’s walking off into the night. Then we switch back to Midge, who is about to step onstage. After about five minutes of a profanity-filled, family-dragging, sexual history-revealing set, Midge realizes her father is sitting about a yard away, frozen in anger. This is where his walk ended. After nearly passing out onstage, Midge starts word vomiting about secrets and father-daughter relationships. Eventually, her act takes a turn for the better with a joke about Abe’s penis. He does not laugh.
Everyone else at the Concord does. As we see in Midge’s last joke of the night, she killed. The reason the Midge Stand-Up Bomb hasn’t truly hit the Maisel family yet is because Abe doesn’t seem to know how to process the information.
Rather than scream over this unexpected revelation — one that is even more shocking for the 1950s — Abe represses everything. He’s terrified of blowing up the Weissmans’ life for something Midge might not even permanently pursue. Why upset Rose if Midge could give up comedy tomorrow? After all, from Abe’s limited perspective, she made a big show of preparing to get back with Joel last season and then nothing came of it. Things start to look up for the academic when Bell Labs calls.
The funding for Abe’s project has been approved. Now Abe must head back to the city to discuss the research in person and convinces Noah, a fellow genius, to join him. When we arrive at Bell Labs it becomes obvious Abe has mentioned his rising star son to every single person at his place of business.
Abe really wants Noah to work at Bell. He becomes so insistent, the Weissman men are eventually dragged into a “secure room” to discuss why Noah can never, ever work at Bell. Apparently, Noah, supposedly a mere university researcher, is just too important. Noah is so important, Abe’s security clearance is too low to know what his son actually does, even. (“I’m pretty sure the janitors have a higher security clearance than you,” Bell’s government liason Martin says.) From the little information viewers get at Bell, we can glean Noah is involved in the most top-secret and extremely sensitive government project around.
Here is your Maisel reminder we’re squarely in the midst of the Cold War. While a shocking amount of this episode revolves around Abe’s disillusionment in regards to his children, there are also some romantic advancements for Midge and Joel. Midge and Benjamin spend the meteor show watch party together, which Joel notices and doesn’t particularly enjoy. It’s difficult not to wonder if Midge is only so public with this budding romance since she saw Joel flirting with a younger version of herself in the Steiner clubhouse. Joel also attends the meteor party with the girl, Leah (Molly Brown), but doesn’t look all that interested. “She Made A Hat” opens on Midge staring at a painting.
Not only is Benjamin a doctor who loves the opera, he’s also a capital-A Art collector. That’s why he brings Midge to the opening night of Solomon Crespi, a seemingly fictional painter, after he already went to the pre-opening night and bought three paintings.
Benjamin refers to himself as a “serious” collector and starts talking like he popped “one of mama’s diet pills,” when he thinks about art-based revenge. I reiterate: We would all hate Benjamin if he weren’t a 6’3 surgeon.
As Midge enjoys a lovely and eventful date on the anniversary of Joel blowing up their lives, Mr. Maisel gets good and hammered at a company party he throws in celebration of buying the Maisel factory’s building. Three women wait out the end of the bash hoping to sleep with Joel, but he is either slumped over and slurring or fully passed out.
It becomes Archie’s job to hand out taxi reimbursement cash and send the girls on the way. Moscowitz (Cynthia Darlow) simply warns Joel about not getting an STI.
Would any of us be surprised if she showed up the next day with a box of condoms to give her free-wheeling boss? Midge has no idea Joel is self-destructing like this and is instead focusing on getting Ben a Declan Howell. After assuring her doctor beau she has perfected the art of deflecting men’s advances, Midge and Benjamin head over to Declan’s sink-less studio. He repeatedly tries to seduce Midge and refuses Ben’s attempts to buy anything. Then, when Ben leaves, Midge and her new artist friend have a heart-to-heart about the painting she bought a day earlier.
Midge’s explanation for purchasing the piece in hopes of finding out the smiling subject’s metaphorical secret is moving. So moving, in fact, that Declan lets Midge see his famed masterpiece. Maisel smartly never shows us the painting and simply allows us to see Midge’s awed expression. In one of the most important conversations of the series, Declan reveals he lost something in making a true work of art: a “normal” life and the family that goes with it.
This sounds like some foreshadowing for Midge’s own career. Declan then tries to seduce Midge one more time, but she rebuffs him and leaves to tell Benjamin he can take one Howell piece for his collection.
It’s impossible not to wish Midge would have just hooked up with the tortured sexy artist who apparently created the greatest painting ever made. The most AS-P line of the episode: There are tons of choices again, but we’ll go with Miriam’s near-uninterrupted baroque scheming monologue: “Right after dessert, I’ll suddenly get a headache. I’ll go lie down and you’ll propose everyone play a game Gather everyone in the living room and say you want to go first, then position yourself right front of the fireplace that way, they’ll have to face you and they’ll have their backs to the front door.
That gives me a chance to slip out unnoticed. Now, earlier, you would’ve cracked the door open and put a pair of my shoes outside so I can tip toe out barefoot and no one will hear me. Later when I get home, I’ll make an owl hoot sound and you can come downstairs and let me in through the service entrance. And then we can.”. The next morning, Maisel gives us a hint of the uber protective and openly hostile Joel we’ll see at the end of the episode. During a payphone conversation between Midge and Joel, he asks to speak to Susie for a moment under the guise of telling her how to change a tire. Before doling out any helpful tips, Joel thoroughly threatens Susie that if anything happens to Midge during their run around the East Coast, he’s “gonna fucking kill” her.
The possibility of hobbling comes up. Finally, he barks the steps for changing a tire, should she need to do so. Joel lacks all chill. Midge and Susie head back to New York for the final performance of the tour.
Although Midge tried to invite her dad to the local show, Abe refused. At least the people who were in attendance loved the show, even though Midge arrived 10 minutes late thanks to classic NYC traffic. The club’s booker, a self-important wannabe slickster named Ricky (Johnny Hopkins), attempts to use Midge’s tardiness as an excuse not to pay her. Then, he locks Susie in a closet when she tries to get the money owed to her and her client. Well, I returned to “Vote For Kennedy” after watching episodes 6 through 8 and it still feels like a major puzzle piece just disappeared.
All of a sudden, Abe’s recently approved Bell Labs project has stalled and Maisel acts like we should already know this. Even worse, Abe’s Columbia math class has crumbled; students have transferred out en masse and Abe hates all the remaining young men in very transparent ways. Soon enough, Abe’s boss is showing up at the Maisel home to inform Abe everyone from the parking attendants to the trustees at Columbia is “sick” of him and is essentially demanding that he take a sabbatical. Noah tells Abe his Bell Labs project isn’t momentarily delayed — it’s actually been canceled. Weren’t we just in the Catskills?
When Midge isn’t considering becoming the Marvelous Mrs. Ettenberg, she is preparing for her first-ever TV gig.
A telethon for arthritis and rheumatism is coming up and Midge is going to perform. Her parents plan is to either shame Midge for the job or convince her not to do it. Benjamin, on the other hand, is very easily impressed by Midge’s joke prep at the Gaslight and seems excited for her. Watching Susie attempt to connect with Ben is an uncomfortable joy. If it weren’t for Midge’s stand-up career, these are two individuals’ paths would have never crossed in a million years. They talk to each other with the awkward energy that comes from that fact.
Finally, Susie finds her way into Sophie’s dressing room to tell off the older comic and stand in front of Sophie’s beloved steam. Alex Borstein gets to give a great monologue about Susie’s plans for Midge here — she yells about punching Sophie’s fake boobs so hard that her real one “will feel it.” Although Sophie claims Susie should have had Midge apologize months ago, Susie still tells her to stuff it and storms out of the dressing room. Even Sophie can’t help but be impressed. Susie won that battle; let’s hope she wins the war. If Shy had any question about Midge’s talent as a prospective opening act, those fears are assuaged by her barn burner of a telethon-closing set. She’s laugh out loud hilarious, self-effacing, and finds time to pick up the last few calls of the night.
Ginger from work is astounded to realize her Mrs. Maisel is in fact the Mrs. Maisel she has been reading about in the papers. Rose and Abe, who can see their neighbors watching the telethon, are solemnly awestruck to realize Midge’s comedy career “is really happening.” Joel takes Midge’s star-making appearance as an excuse to be rude to his latest one night stand. (By the way, speaking of Joel, his dad gives him $60,000 in a bid to get his son to leave the family manufacturing company and follow his dreams.). Now, he is questioning that choice, following a bizarre and accusatory conversation with the Bell Labs head honchos.
As Abe finds out in “Alone,” his Bell inquisition began when Midge merely made a joke about her dad listening to a bathroom-related children’s album as part of his work. Bell Labs considers the fact Midge knows about this project, and is telling rooms of strangers about it, a security risk. They are not exactly wrong. However, Abe is upset the company recruited him for his expertise and is now treating him like “a criminal.” The Bell execs inform Abe the company owns his expertise due to contractual obligations and he starts screaming. The finale then does a lot of work for a very long time to convince us Rose’s sweetly delusional outlook might hold water. Benjamin shows up at the Weissman home early in the morning to go over his son-in-law application.
He hands over tax documents, bank statements, and goes through an interview process. This is only the first step in getting Abe’s permission to marry Midge. No one mentions that Midge is still very much married to Joel or that Benjamin has never met the Midge’s kids on purpose. Benjamin does have to confirm this quick courtship isn’t the result of an accidental pregnancy, though.
Winner of 8 Emmy Awards, including Outstanding Comedy Series, watch the Season 2 Official Trailer for The Marvelous Mrs. Maisel.“I’m The Greatest Star”Performed by Barbra StreisandCourtesy of Columbia Records» Watch The Marvelous Mrs.Maisel season 1 & 2 now exclusively with your Prime Membership:» SUBSCRIBE:About The Marvelous Mrs.Maisel:In 1958 New York, Midge Maisel's life is on track- husband, kids, and elegant Yom Kippur dinners in their Upper West Side apartment.
But when her life takes a surprise turn, she has to quickly decide what else she's good at - and going from housewife to stand-up comic is a wild choice to everyone but her. The Marvelous Mrs. Maisel is written and directed by Amy Sherman-Palladino (Gilmore Girls).About The Marvelous Mrs.Maisel Season 2:After Midge’s triumph at the Gaslight, the fallout from her takedown of Sophie Lennon looms large, making her climb up the comedy ladder more challenging than ever. As the actual grind of being a comic begins to take its toll on Midge, the pressure to come clean to her family weighs on her – especially as her choices have a ripple effect on everyone around her.Get More The Marvelous Mrs.Maisel:Watch Now:Facebook:Twitter:Instagram:About Prime Video:Want to watch it now?
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